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  • Past Exhibitions
    • Thinking of You
    • Daddy Fly
    • Moments Of Inertia
    • Waterlilies
    • How the Light Gets In
    • Searching for Magic in Dog Town
    • Alchemical Silver
    • Through the Looking Glass
    • Vigil
    • Strange Land
    • The Phantom Bus Stop
    • The State of the Art: Marketing Eyesight in the 21st Century
  • Dirty Ol' Ambrotypes
  • Contact
  • Bio
  • Home
  • Past Exhibitions
    • Thinking of You
    • Daddy Fly
    • Moments Of Inertia
    • Waterlilies
    • How the Light Gets In
    • Searching for Magic in Dog Town
    • Alchemical Silver
    • Through the Looking Glass
    • Vigil
    • Strange Land
    • The Phantom Bus Stop
    • The State of the Art: Marketing Eyesight in the 21st Century
  • Dirty Ol' Ambrotypes
  • Contact
  • Bio

Have been taking some time out after completing a Masters of Art & Design (Hon) at AUT University to take a trip to the dark side and learn the black-fingered art of wet plate collodion. Part chemistry, part alchemy, part voodoo, the learning curve is steep, the variables infinite, the imperfections spectacular. As a beginner, my plates are dominated by the crazy interactions of object and chemical, serendipitous happenings and mysterious contaminations. In the Wet Collodion World, these 'defects' all have names - oysters, veils, comets and spangles, crepe lines and ridges, expressions of chemical disobedience that must be eliminated. I will strive to be a good student and aim for perfection, but, I confess, I will miss these intruders if they choose to depart. In the mean time, here is a celebration of all that can land on an ambrotype plate...
These images were made with a half plate Lancaster Instantograph camera on 4 3/4 x 6 1/2 inch glass plates (ambrotypes) and scanned to produce JPEGs. 
Picture
'2017'
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